Soto's Body Clock
By Lisa Traiger
Special to The Washington Post
Friday, May 20, 2005; Page WE28
Quote:
"The body," she says, "is a time machine. All our experiences are recorded in the body . . . in my body at least." The body in question is that of choreographer and dancer Merian Soto, whose evening-length work "La Maquina del Tiempo" ("The Time Machine") -- an intriguing vision of Latin cultural empowerment -- arrives at Dance Place this weekend.
A native of Puerto Rico, Soto began dancing as a baby ballerina at age 3, but that's not the only movement memory coursing through her body. While she admits that a foundational experience in ballet influenced her choreography and particularly her quest for the concept of line, there's something even deeper running through Soto: the sound of salsa.
more...Merian Soto, Taking a Cultural Journey Back in TimeBy Kirsten Bodensteiner
Special to The Washington Post
Monday, May 23, 2005; Page C09
Quote:
We all have experienced time travel. That cheesy ballad popular in high school, for example, can instantly zap you back to your junior prom. For Puerto Rico-born Merian Soto, the vehicle is Latin music and dance styles popular throughout the 20th century. The veteran choreographer, based in Philadelphia and New York, plays with historical and cultural memory in her piece "La Maquina del Tiempo," performed Saturday night at Dance Place.
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