Leigh Witchel reviews "Giselle" for the New York Post.

NY Post

Robert Johnson reviews "Giselle" for the Newakr Star-Ledger.

Star-Ledger

Apollinaire Scherr reviews both the triple bill and "Giselle" for her blog in Arts Journal.

Arts Journal

Robert Greskovic reviews both "Giselle" and the triple bill for the Wall Street Journal.

Wall Street Journal

Tobi Tobias reviews "Giselle" for Arts Journal.

Arts Journal

Marina Harss reviews "Giselle" in the Faster Times.

Faster Times

Joan Acocella reviews both "Giselle" and the mixed bill for the New Yorker.

New Yorker

Alastair Macaulay reviews Pina Bausch's "Orpheus and Eurydice" for the New York Times.

NY Times

Leigh Witchel reviews "Orpheus and Eurydice" for the New York Post.

NY Post

Pia Catton talks to Nicolas Le Riche in the Wall Street Journal.

Wall Street Journal

Jocelyn Noveck reviews the POB's New York season for the Associated Press.

Associated Press

Margaret Fuhrer reviews the New York season for the Huffington Post.

Huffington Post

Backtracking somewhat. Interesting and enjoyable interview with Aurelie Dupont. Thanks, Francis.

Among other things, as a child she lived an enjoyable two years in Bethesda, Maryland with her parents, she'd love to retire to New York City and even though her suggestion for an appearance with ABT didn't materialize she wouldn't mind coaching there after her retirement.

Also interesting.

"So I thought, Okay, now I’m dancing only technical ballet and technical variations, and I didn’t want to do this anymore. And when I met Pina Bausch, she felt this in my dancing, and she told me once, “Okay, you’re a very tough woman, you’re a very tough dancer, but I’m sure you’re very sensitive, and that’s why I chose you, and I want you to show me this. Because your strength, your force—I don’t care. I want to see your heart.” So I thought, Okay. She’s coming now, and it’s the perfect time for me to change; because of her, I changed."