In the Boston Phoenix Jeffrey Gantz comments on Bourne's Swan Lake partway through the article:
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Measure for measure
....
One modern composer who had the measure of dance was Tchaikovsky, in his ballets, of course, but also in his symphonic music, which has been plundered by choreographers as diverse as George Balanchine, John Cranko, and Boris Eifman. His Symphony No. 5 survived Eifman’s Tchaikovsky and his Nutcracker Mark Morris’s The Hard Nut, so no surprise that Swan Lake comfortably accommodates the Matthew Bourne reimagining, in which all the swans are male.
More from Gantz...and Marcia Siegel also comments on the production:
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Back story
Matthew Bourne’s Swan Lake
The English choreographer Matthew Bourne isn’t the first to propose an Oedipal dimension for Swan Lake. Any ballet that old and that popular is fair game for reinterpretation. ....
Bourne’s retelling backs off from these old-fashioned æsthetics and focuses instead on the social and political implications of a degenerate monarchy, and the consequences of sexual repression. The whole production is beautifully designed and theatrically satisfying.
More from Siegel...