
<P>Julie Tobiason and Uko Gorter in Coppélia. Photo by Ben Kerns.<P><BR>The Seattle Times reviews Pacific Northwest Ballet's "Coppelia". Mary Murfin Bayley does not like some features of the production relating to the mistreatment of Dr. Coppelius, that could be summed up as - the story is not as fluffy as usual. Some of us might think that a good thing. However she does enjoy the dancing: <BR> <BR> <BLOCKQUOTE><font size="1" face="Verdana, Arial">quote:</font><HR>Fortunately on Friday night Julie Tobiason's charming Swanhilda, despite the highly stylized mime, was a subtle and delightful characterization, reaching right out to the audience. She lived the role through and through, portraying a courageous, jolly girl who takes charge when it looks as though her lover is going to muck things up. <P>She was well matched in her Franz. We've seen Olivier Wevers excel in both princely roles and in stylized abstract ballets and now it is a delight to see his comedic side. He was precise and nuanced whether registering bewilderment in love or in a Chaplinesque handling of a ladder. Between Wevers and Tobiason, the first and third act were just about perfect, enhanced by some colorful folk dances.<HR></BLOCKQUOTE><P><BR><A HREF="http://seattletimes.nwsource.com/cgi-bin/WebObjects/SeattleTimes.woa/wa/gotoArticle?zsection_id=268448483&text_only=0&slug=pnb30&document_id=134236060" TARGET=_blank><B>Now read on</B></A> <p>[This message has been edited by Stuart Sweeney (edited October 01, 2000).]