Paris Opera Ballet opened the 2012-13 season with the Grand Defile, follwed by a program of works by Balanchine: "Agon," "Serenade" and "The Prodigal Son." Laura Cappelle reviews the performance for the Financial Times.

Financial Times

Patricia Boccadoro reviews Ashton's "La Fille Mal Gardee" at the Paris Opera Ballet for Culturekiosque.

Culturekiosque

In the New York Times, Roslyn Sulcas interviews Marie-Agnes Gillot and previews her new work, "Sous Apparence."

NY Times

Roslyn Sulcas interviews Vincent Chaillet about dancing en pointe in Marie-Agnes Gillot's "Sous Apparence" for the New York Times.

NY Times

In Culturekiosque, Patricia Boccadoro reviews an all Balanchine program at Paris Opera Ballet: "Serenade," "Agon" and "The Prodigal Son."

Culturekiosque

In the Financial Times, Laura Capelle reviews a trio of works by William Forsythe: "In the Middle, Somewhat Elevated," "Woundwork" and "Pas./Parts," plus Trisha Brown's "O zlozony/O composite."

Financial Times

In the New York Times, Roslyn Sulcas reviews the three Forsythe works on the William Forsythe/Trisha Brown program.

NY Times

Benjamin Millepied will be the new artistic director!

http://www.nytimes.com/2013/01/24/arts/ ... .html?_r=0

Wow, to me, at least, that was quite unexpected. Congratulations to Natalie Portman and Benjamin Millipied!

Yes ....it will be interesting to see what he does with their repertoire.

Elaine Sciolino writes a wide ranging feature on the Paris Opera Ballet for T Magazine of the New York Times.

NY Times