Interesting how the Scottish press frequently feature Tango:
Out of my depth in the hoofing courtship rituals By ALBERT MORRIS fo The Scotsman
IT IS astonishing how quickly old shows can be revived in the theatre of memory. The news that the Argentinian composer, Astor Piazzolla, the inventor of the "new tango", will have his music played in London next month by former members of his band, raised recollection curtains on a dramatic dancing episode in my life about which I have, until now, remained silent.
Piazzolla, who died in 1992, and is lauded by growing numbers in the classical world as one of the last century’s greatest contemporary composers, be-came a virtuoso on a curious 19th century German instrument called the bandoneon, an overgrown squeeze-box, and based his revolutionary music on the tango combined with jazz and classical styles.
The compositions enraged Argentinians. They defied, fumed the La Mancha newspaper in 1961, "a traditional establishment" greater than the state, the gaucho and soccer. "He has dared to challenge the tango."
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