THIS year’s Nottdance, Nottingham’s annual international dance festival, asks tricky questions about the art form.
Is it still dance if the performers remain seated the whole time, or when they’re only visible on film? What if you can’t see them at all, but only hear about what they do down the telephone? Nigel Charnock, whose latest one-man show kicked off Nottdance, is very much a living presence. The feverishly talented fortysomething performer is genuinely interested in connecting with an audience