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This group is one permutation of several for this sort of activity. San Diego does have a fairly good orchestra (which is always on the brink of financial catastrophe), quite good opera, which enjoys a very steady subscriber list (as far as I know), but dance is quite a different story. <P>I have to admit first of all I have never heard of the man who is now heading this organization. In the past such organizations have been fairly incestuous in allocating pooled funds. <P>Though we do have a fairly large service/technical based industry in San Diego, we have very few corporate head offices here, and therefore they feel little loyalty to fund arts in this city.<P>As for dance, the truth is that since the financial bankruptcy of the San Diego Ballet under the artisitic direction of Keith Martin, in the late 1970's early 1980's, there has been no truly professional level company here. There are indeed, some wonderful individual professional dancers - but no company. If the various pre-professional companies would pool their resources, we could again have professional level dance. But, each is the child and creation of a founder, who will not give up control of their "child". <P>Jillana (Balanchine ballerina), Robin Sheretz Morgan, Jacqueline Hepner (Balanchine dancers) are here as well as Wayne Davis, Kathryn Eyrie, Larry Eddington, Ballerina Sonia Arova, Thor Sutowski, Maxine Mahan, Steven and Elizabeth Wistrich - are all here. They are all competent - and in some cases - celebrated teachers, dancers and choreographers. (Forgive me if I left anyone out!!) <P>But - the fact remains the dance community is splintered along egocentric lines. We end up with 7 versions (I am not exaggerating) of the Nutcracker, most being less than satisfactory. <P>Becasue of this many would be benefactors have given up over the years. Several teachers of note have given up too. What could be a healthy tree, is instead - splinters. <P>We do have the theaters -but the main theater in downtown San Diego has, in my view, been mismanaged for many years and so the major companies (NYCB, ABT, Bolshoi, etc.) no longer come here. This lack of being able to see the great companies, undermines the appetite for dance. A child in San Diego would have no opportunity to see a performance - in it's full glory - except a couple of Nutcrackers. A very sad state of affairs - it was better 25 yrs ago.<BR>I travel 100 miles for the ballet season in Costa Mesa - and even that is only 4-5 performances per year - that's how I get to see ABT, Bolshoi, etc.
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