<P>Marie-Agnes Gillot in Forsythe's pas./parts for the Paris Opera.<P>Photo: Bill Cooper<P>Here's the dynamic cover of the new Dance Europe magazine. Go to the link below and click on the image to get to the Contents page. The Editorial, Auditions and Jobs, European Performance diary and the Competition for Dancer of the Year are available on-line, but not any of the articles.<P> <A HREF="http://www.danceeurope.net/" TARGET=_blank>http://www.danceeurope.net/</A> <P>In her Editorial, Emma Manning focusses on the theme of human rights using Marie-Claude Pietragalla's new 'Sakountala' as one example. A second is the work being done by Nicholas Rowe, who is helping to establish the Palestine National Academy of Dance. In addition, he is running, <P> <BLOCKQUOTE><font size="1" face="Verdana, Arial">quote:</font><HR>....Just For Kids. The project began with Children's Days for girls and boys, aged from five to twelve years old, and offered them the chance to participate in dance, art and music classes, to watch films and to talk about their fears in group counselling sessions. After benefitting over 2,000 children who were able to reach the Centre, the programme has now been expanded and Nick and his dedicated team are now taking artistic activities to refugee camps, remote villages and impoverished areas, right across the West Bank.<HR></BLOCKQUOTE><P>They are desperate for money to continue the work, so if you have any good ideas for fund raising or would like to make a donation, then the aritcle has contact details:<BR> <A HREF="http://www.danceeurope.net/Editorial/editorialdec00.html" TARGET=_blank>http://www.danceeurope.net/Editorial/editorialdec00.html</A> <P><BR> <BR> <P> <BR> <BR> <P> <P> <P><BR> <BR> <BR> <BR> <P> <P><BR>[Edited by Azlan to fix quotes]<p>[This message has been edited by Azlan (edited December 03, 2000).]

That is, indeed a dynamic photo! I like the statement under the masthead. Going places other dance magazines don't go. It seems that may be the truth based on this issue's content.

Whoa... love that photo!

It was only after a couple of views that I noticed the down turned left hand, but now it seems a crucial part of the whole and indicates the degree of detail that Forsythe's choreographic methodology generates.<P>In his interview with Kevin Ng, Giuseppe Picone says that he particularly admires Forsythe. Arguably the choreographer has made an even bigger impact with dancers than he has with audiences.