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I just pulled out a book that I spent many hours perusing in my childhood: <I>Russian Ballet</I> (1939) – camera studies by Gordon Anthony, with an introduction by Arnold Haskell, published by Richard Clay and Company, Ltd., Bungay, Suffolk. It was given to my mother in 1945 by her college friend and jitterbug partner. It’s about 10" x 13" and nearly 2" thick. There are 96 studio portraits of members of the Ballets Russes de Monte Carlo, masterfully lit and photographed, each mounted at one edge on a separate sheet of heavy paper. It’s still in great condition, except for a photo of Felia Doubrovska on which I used a pen to outline her legs (she had such great legs!) so that I could trace her to make a paper doll. Ouch!<P>Looking through the book again, I realized, after all these years, that the dancers appear in alphabetical order, from Adrianova to Yousskevitch. A few of my favorites are (using the French spellings from the book): Irina Baronova in <I>La Concurrence</I> and <I>Le Coq d’Or</I>; Alexandra Danilova in <I>L’Oiseau de Feu</I> (a very shadowy photo with the feathers of her headdress magnified onto the backdrop); David Lichine and Felia Doubrovska “rehearsing” (this is the one I defaced); Leonide Massine as the Peruvian in <I>Gaîté Parisienne</I>; Marc Platoff (aka Mark Platt) in <I>Francesda da Rimini</I>; a non-dance close-up of Tatiana Riabouchinska in which her skin appears to be made of porcelain; and a head shot of Toumanova in <I>Le Tricorne</I> that is one of the most beautiful portraits I’ve ever seen.<P>Does anyone else have this book?<p>[This message has been edited by djb (edited May 02, 2002).]
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