In Soldier's Violent Journey, Bodies Turn in Martial Fuguemore...
by JENNIFER DUNNING for the New York Times
Mr. Harari has described "Herd of Bulls," set to occasional understated sounds and fragments of film scores and other music, as a journey through violence. The piece does not arrive at a final destination. But the choreographer's ingenious plotting and moving of bodies in space creates a fugue of small, transitory arrivals as the dancers spill out and charge through the subtle, atmospheric shadows and moonlight of Katrina D. Maurer's lighting.
published: October 20, 2005