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Advertising Information
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FEB 2005
in this issue
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interviews
David
McAllister, Australian Ballet: Choreographing
the company for the new millenium
by Ana Abad-Carles
The greatest challenge for me is
dealing with the art form and the dancers, 21st century dancers, who are
so different to the dancers of the past.
read
more...
Batkhurel
Bold, Pacific Northwest Ballet:
A Million Plus One
by Dean Speer and Francis Timlin
Both my father and my mother were
dancers in Mongolia's only ballet company - my father for over 20 years.
My mother is actually from St. Petersburg where she studied with Dudinskaya.
read
more...
D.
David Brown, Pacific Northwest Ballet:
Executive
Dancing
by Dean Speer and Francis Timlin
Companies must first build a loyal
audience and donor base, secure a working facility in which to rehearse
and create work, gain control of the performing environment so that the
performing schedule can be set without disruption, and then build endowment.
read
more...
Jonathan
Porretta, Pacific Northwest Ballet:
Tri-State
Native, All- State Soloist
by Dean Speer and Francis Timlin
I had NO idea I was being auditioned.
I was having fun taking class, messing around with things like doing 32
fouettés and ending on the floor in The Dying Swan's pose and just
about died when someone told me that man watching was actually Kent Stowell.
read
more...
Kaori
Nakamura, Pacific Northwest Ballet: Conquering
English, French, and the Public
by Dean Speer and Francis Timlin
Many thought I should go to the Royal Ballet School, as many Japanese
had, but I wanted to go somewhere different, so I picked SAB. I didn't
really know about Balanchine; I just picked blindly. I was shocked. Such
different training. I thought it was a big mistake.
read
more...
Damara
Bennett, Oregon Ballet Theatre School:
Ballet
Stars of Tomorrow:
by Dean Speer and Francis Timlin
I want to produce professional
dancers, but also those who are well-rounded and well-informed, who will
become, at minimum, well-informed audience members. We are setting examples
of what is important in life - dedication and a work ethic.
read
more...
company focus
 
Image Gallery
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Selected Reviews & Views from 2004
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Hamburg
Ballet - 'Nijinsky'
by Ed Lippman -- Feb 2004, Costa Mesa, CA
Resolution!
and Reprise: 2 views at The Place
by Stuart Sweeney & Lyndsey Winship -- Feb 2004, London
Pacific
Northwest Ballet - 'The Romantics'
by Dean Speer -- March 2004, Seattle
A
Day in the Life of a Royal Danish Ballet Dancer
by Kate Snedeker -- Copenhagen
Boston
Ballet - Drink to Me Only with Thine Eyes'
by S.E. Arnold -- March 2004, Boston
Alvin
Ailey American Dance Theatre - 'Hymn': Why Dance?
by Mary Ellen Hunt -- March 2004, Berkeley
Paris
Opera Ballet - 'Signes'
by MarieLaure Ferreyra -- March 2004, Paris
Pennsylvania
Ballet 'Rhythm and Blues' - 'Fearful Symmetries,' 'The Crossed Line,'
'Blue Until June': PAB Goes Red, Blue, and Modern
by Lori Ibay -- April 2004, Philadephia
Pacific
Northwest Ballet - Choreographer's Showcase
by Francis Timlin -- April 2004, Seattle
Miami
City Ballet - "The Neighborhood Ballroom'
by Carol Herron -- April 2004, Washington
Boston
Ballet - 'Swan Lake': Humanity and the Fall
by S.E. Arnold -- May 2004, Boston
San
Francisco Ballet - 'Sylvia'
by Rebecca Hirschman -- May 2004, San Francisco
New
York City Ballet - American Festival
by Jeff Kuo -- May 2004, New York
New
York City Ballet - 'Ivesiana,' 'Interplay,' 'Tarantella,' 'Stars
and Stripes'
by Kate Snedeker -- May 2004, New York
Pennsylvania
Ballet - 'Swan Lake'
by Lori Ibay -- June 2004, Philadelphia
American
Ballet Theatre - 'Romeo & Juliet'
by Mary Ellen Hunt -- June 2004, New York
Stars
of the White Nights Festival - A Century of Balanchine
by Catherine Pawlick -- July 2004, St Petersburg
John
Jasperse - 'just two dancers'
by Rosella Simonari - July 2004, Venice
Bolshoi
Ballet -'The Pharoah's Daughter'
by Cassandra -- August 2004, London
Ballet
West - 'All the couples who dance together are in love' - Preview
of Ballet West's 'Leaves Are Fading'
by Kate Snedeker -- August 2004
San
Francisco Ballet - 'Allegro Brillante,' 'Paquita' Pas de Trois,
'7 for Eight,' 'Rush'
by Thea Nerissa Barnes - Sept 2004, London
Jerome
Robbins: His life, His Theater, his Dance - by Deborah Jowitt
Book review by Leland Windreich
Lyon
Opera Ballet - 'Second Detail,' 'twelvetwentyone,' 'Un Ballo, '
Jardi Tancat'
by Mary Ellen Hunt --Sept 2004, Davis, CA
Merce
Cunningham Dance Company - 'Ground Level Overlay', 'Split Sides'
by Elizabeth Schwyzer -- Oct 2004, London
Philip
Decouflé - 'Solo'
by Ramsay Burt -- Oct 2004, London
Martha
Graham Dance Company - 'Appalachian Spring,' 'Errand into the Maze,'
'El Penitente,' 'Diversion of Angels'
by Toba Singer -- Oct 2004, Davis, CA
Kirov
Ballet - 'Swan Lake': A Palpable Love
by Catherine Pawlick --Oct 2004, St. Petersburg
Rambert
Dance Company - 'Swamp,' 'A Tragedy of Fashion,' 'Elsa Canasta'
by Kate Snedeker -- Nov 2004, Edinburgh
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in our forums
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Coming up...
·
Ballet West's Ib Anderson
·
New York City
Ballet's Kurt Froman
·
San Francisco Ballet at home
·
More Kirov
Ballet reviews
· More reviews
·
More interviews
· More features |
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Report
on the Rural Retreats 2005
by Lyndsey Winship
January 2005
Reflecting on the loneliness
of the artistic director's job Boston
Ballet's Mikko Nissinen
said: "Usually the artistic director has an inner dialogue,
now we get to compare our notes."
read
more...
David
Bintley, Artistic Director, Birmingham Royal Ballet:
Unapologetic About Ballet
by Ana Abad-Carles
I think it's fantastic to know
that all around the world there are really very clever and articulate
people fighting for their art form. It's not a chance to moan.
It's good ideas going backwards and forwards.
read
more...
David
McAllister, Director, Australian Ballet
by Ana Abad-Carles
January 11, 2005 -- Australia House, London
One of the things that
came out of it was that when I came back to Australia, I started
something that we now call Bodytorque, a choreographic development
season which we had never had previously, and that aims at developing
or giving young choreographers access to ballet dancers and
to create works using the ballet technique.
read
more... |
editors'
picks
Los
Angeles
·
Beijing
Modern Dance
March 1, 2005 - Mandeville Auditorium, UCSD, La Jolla and
March 4-5, 2005
- Los Angeles Music Center.
China's ultra-hip performing bring hard-edged, high-energy movement to a score from Pink Floyd's 'The Wall."
·
Ronald
K. Brown/Evidence
February 26, 2004 - Luckman Fine Arts Complex, CSU Los Angeles, Los
Angeles
Showcasing the company's evocative blend of Western African and modern
dance, the evening will include 'Upside Down,' 'Grace,' and 'Come Ye.'
·
Jazz
Tap Ensemble
March 18-20, 2005 - Founder's Hall, Orange County Performing Arts Center,
Costa Mesa
Featuring the incredible talents of five dancers and two musicians,
their dynamic, toe-tapping program introduces the audience to rhythm
and improvisation and its development in American culture.
Chicago
·
Germaine
Acogny - 'TCHOURAI'
February 26-27, 2005 - The Dance Center, Columbia College Chicago
Senegalese dancer and choreographer Germaine Acogny performs an evocative, evening-length solo TCHOURAI, which takes its name from the natural incense burnt by African women to purify houses and attract and seduce their husbands.
·
Joffrey
Ballet - American Masterworks
March 9-20, 2005 - Auditorium Theatre, Chicago
The Joffrey's 2005 Winter Program will present American Masterworks,
featuring ballets created by George Balanchine, Antony Tudor, and Jerome
Robbins, each considered genius choreographers of the 20th Century.
New
York
·
Dance
Brazil
March 1-6, 2005 - Joyce Theatre
Jelon Vieira brings the premiere of "Retratos da Bahia" with an original score by Brazilian composer Tote Gira performed live.
·
Jewish Dance in America - Lecture by Nina Spiegel, PhD
March 15, 2005 - 92nd Street Y Simon Center
Nina Spiegel explores the works of great Jewish choreographers including Pearl Lang, Sophie Maslow, Jerome Robbins, Anna Sokolow and Helen Tamiris. In an attempt to answer the question "Is there a unique Jewish voice in American dance?"
San Francisco Bay Area
·
Merce
Cunningham Dance Company- ENCOUNTER: Merce
Feb 17-March 12, 2005, Stanford
Lively Arts, Stanford Unversity, Palo Alto
Exhibits from his diary, films, and panel discussions mark an in depth
look at Cunningham's work. The week of March 8, events include
an interview with Cunningham by NY Times critic John Rockwell, and the
company's much anticipated West Coast premiere of "Split Sides"
from March 11-12.
·
St.
Petersburg Ballet Theatre - 'Giselle'
Feb 19, 2005, Marin
Center, San Rafael
In a one night only benefit for the Friends of the Marin Center, the
Russian company makes its Bay Area debut witha classic ballet.
Philadelphia
·
Pennsylvania
Ballet - 'La Fille Mal Gardée
March 4-12, 2005 - Academy of Music, Phila.
Company premiere of Sir Frederick Ashton's charming romantic comedy.
·
Noche
Flamenca
February 26, 2005 - Kimmel Center, Phila.
Enter the world of flamenco pura—undiluted, passionate and seductive.
Washington, D.C.
·
The
Washington Ballet - 'Rite of Spring'
February 23-27, 2005 - Eisenhower Theatre, Kennedy Center
World premiere of Trey McIntyre's "Rite of Spring" along with George Balanchine's "Stravinsky Violin Concerto" and Christopher Wheeldon's "There Where She Loved."
·
Alvin
Ailey American Dance Theater
February 22-27, 2005 - Kennedy Center
For its annual engagement, this globally renowned company presents a
compilation of classics and new works.
Seattle
·
Pacific
Northwest Ballet - 'The Merry Widow'
March 17-27, 2005 - McGaw Hall, Seattle
PNB's delight in both comedy and drama suffuses the tale of a wealthy
widow who is reunited with her long-lost love.
Denmark
·
Royal
Danish Ballet - Harald Lander 100 Years Gala
February 25, 2005 - Old Stage, Royal Theatre, Copenhagen
·
Peter
Schaufuss Ballet - 'Harald'
February 25-27, 2005 (World premiere) - Musikteatret Hostlebrohallen,
Hostlebro
March
6, 2005 (Hal Landers Gala) - Musikhuset Århus, Århus
World premiere to celebrate the 100th anniversary of the celebrated
choreographer's birth.
London
·
Sonia
Sabri - 'Red'
February 22-23, 2005 - Purcell Room
A collaboration between Sabri, Shobana Jeyasingh and composer Sarvar Sabri, combining exquisite dance, arresting visual design and evocative music.
·
Australian
Dance Theatre - 'Birdbrain'
March 2, 2005 - Queen Elizabeth Hall
Australian Dance Theatre (ADT) returns to the UK with a one night only
encore performance of "Birdbrain."
Paris
·
Paris
Opera Ballet - 'Sylvia'
March 1- April 2, 2005 - Opéra Bastille
Ballet in 2 parts by John Neumeier to the music by Delibes and design
and costumes by Yannis Kokkos.
Rome
·
Rome
Opera Ballet School - 'Coppelia'
March 1-6, 2005 - Teatro Nazionale
An occasion to see 18 years old Alessandro Riga, one of the most outstanding young Italian dancers, presently in Dresden Ballet.
·
MOMIX
Dance Theatre - 'Sun Flower Moon'
February 15-28, 2005 - Teatro
Olimpico
One of the Italian audience favourite dance companies is back in a new
show in Italian premiere.
·
Equilibrio
February 13 - March 1, 2005 - Auditorium Parco della Musica
A contemporary dance festival, which includes artists like Bruno Beltrao,
Vim Vandendekeybus, Enzo Cosimi, Costanza Macras, Collectif Peeping
Tom, and others.
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|
reviews
University of Washington Chamber Dance Group: Martha's Mysteries
by Dean Speer
February 3, 2005 -- Meany Hall Theatre, University of Washington, Seattle
Elizabeth Spatz as The Virgin in Martha's part was of the right maturity and stature and seemed deeply 'seated' in her dancing of the part.
read more...
Raimund
Hoghe - 'Another Dream': An Uncommon Honesty
by Ramsay Burt
January 30, 2005 -- London International Mime Festival, ICA, London
Although "Another Dream"
was often quite humorous, the audience at the ICA seemed almost afraid
to laugh.
read
more...
Ailey
II - 'Intimate Voices,' 'Divining,' 'The Hunt' 'Revelations': Crunchtime
by Mary Ellen Hunt
January 21, 2005 -- Stanford Lively Arts, Palo Alto
In my household,
a single viewing of any of their dancers is likely spark far more abdominal
crunches than any New Year’s resolution ever called for.
read
more...
Moscow Stanislavsky Ballet - 'Don Quixote'
by Cassandra
January 13, 2005 -- Royal Festival Hall, London
With so little drama involved it's all down to the dancers to impress, and as the audience enthusiastically applauded everyone and everything, they seemed to have been thoroughly impressed.
read more...
Imperial Russian Ballet - 'The Nutcracker'
by Cassandra
December 25, 2004 -- Badnerhalle, Rastatt, Germany
On Christmas day I was unfaithful to the Kirov and boarded a train to Rastatt, a town a few miles to the north of Baden Baden.
read more...
'Kiss Me, Kate'
by Patricia Somerset
November, 2004 -- Churchill Theatre, Bromley
After the opening number, the pace slowed, but took off again with Fred and Lilli singing "Wunderbar." Fred was played by Craig Urbani, who delivered his one-liners with panache, swashed an impressive buckle and sang well and with style.
read more...
Kirov Ballet - 'La Bayadere'
by Catherine Pawlick
February 6, 2005 -- Mariinsky Theatre, St. Petersburg
To a sold-out house, the casting was superb, a list that would draw any ballet-goer’s eye: Daria Pavlenko dancing the role of Nikiya; Leonid Sarafanov as Solor, and Ekaterina Osmolkina slated to dance Gamzatti.
read more..
Kirov Ballet - 'Forsythe Repertory'
by Catherine Pawlick
February 5, 2005 -- Mariinsky Theatre, St. Petersburg
It is impossible to leave an afternoon of Forsythe without a reaction. It might be shock, or distaste, awe, surprise, confusion or simple admiration, but some kind of impression is bound to remain.
read more..
Kirov Ballet - 'The Sleeping Beauty'
by Catherine Pawlick
January 29, 2005 -- Mariinsky Theatre, St. Petersburg
The young Olga Esina debuted as the Lilac Fairy -- perhaps the explanation for the long line waiting to file into the theatre at quarter to the hour.
read more..
Kirov Ballet - Balanchine Repertory
by Cassandra
December 29, 2004 -- Festspielhaus, Baden Baden, Germany
I saw Merkuriev dance this at Covent Garden a couple of years ago and since then he has sharpened his interpretation into that of a young romantic yearning for experience and becoming a gullible prey for the unscrupulous denizens of the world outside his home.
read more..
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The
Chicken and the Egg Dance Company - 'Action is the Enemy of Thought';
Soap Box - 'Bizarre Interludes'; The Boo Project - 'Green Belt'
byElizabeth Schwyzer
January 10, 2005 -- The Place, London
A stage littered with shopping
bags greeted last night's Resolution! audience. The Chicken and
the Egg Dance Company used props-galore to help unpack such wide-ranging
themes of consumerism, self-confrontation, and nothingness.
read
more...
Scranridge.
The Return - 'Must Try Harder'; U.T.P. - 'Temperamental'; Snap Dragon
Dance - 'Chroma'
by Elizabeth Schwyzer
January 17, 2005 -- The Place, London
At 26 minutes, Katherine Markee's
solo "Must Try Harder" was certainly trying. Heavily laden
with images of exhaustion and hopelessness, depression and anxiety,
it was peppered with phrases of comically determined posturing.
read
more...
Helen
Plewis et al - 'Cameo'; Sol Dance Arts - 'NA BI (a butterfly)';
CASHdance - 'Pulled to Pieces'
by Ramsay Burt
January , 2005 -- The Place, London
Helen Plewis et al.: "Cameo."
Nice to see such a large cast -- seventeen in all -- at Resolutions.
read
more...
Sinman
Dance Company - 'The Right Mistakes'; Neon Productions - 'Talking
Feather'; 'Distance is a Virtue'
by Elizabeth Schwyzer
January 21 , 2005 -- The Place, London
"Talking Feather",
a contemporary take on traditional Chinese dance, may have gone
over better in a different context; as part of a contemporary dance
festival, it was painfully sentimental and unsophisticated.
read
more...
Adi
Salant - 'Shakuf'; Solar Salt - 'Something'; Maria Ghoumrassi -
'Pestle and Mortar'
by Thea Nerissa Barnes
January 22, 2005 -- The Place, London
What is meant then by the
shy, thumb sucking posture that contradicts a high stepping androgenic
manner? This is the other side of the persona Salant portrays, alluding
to a sense of femininity that is flexible; strong, invincible, yet
vulnerable.
read
more...
Adi
Salant - 'Shakuf'; Solar Salt - 'Something'; Maria Ghoumrassi -
'Pestle and Mortar'
by Elizabeth Schwyzer
January 22, 2005 -- The Place, London
Scantily clad in black hot-pants,
a corset and fishnets, and wearing a deadpan expression, choreographer
Adi Salant opened "Shakuf" with an explosion of athletic
balleticism.
read
more...
Juschka
Weigel - 'Life is Too Short ...?'; United Dance Artists - 'Parallels';
Lapsus Corpi - 'QUADish-ish'
by Christine de Leon
January 29, 2005 -- The Place, London
The show opened with German
artist Juschka Weigel. The debut of her highly personal solo piece
‘Life is too short to dance with an ugly man?' was about 20
minutes too long.
read
more...
Device
Dance - 'Detail of the Surface'; M Group - 'The Caryatids'; a words
- 'This is where you end, and I begin'
by Thea Nerissa Barnes
January 31, 2005 -- The Place, London
With choreography by Miwa
Saeki and her dancers. this was a good work and a fine effort. The
work begins with six females with four in point shoes and two bare
footed.
read
more... |
Letter from the Editors
Just as visions of yule logs, candy canes and sugar plums (finally)
recede, St. Valentines demands our annual tribute of chocolate, flowers,
and whispered (or e-mailed) romantic messages. Love fuels the world of
dance whether it is the romantic comedies of ballet, the passion of modern
dance, the spirit of the musical theater, or the committment of dancers,
directors, and audiences all over the world.
Our February issue brings reports on ballets that end in marriage
like the Kirov's "The Sleeping Beauty" and Moscow Stanislavsky's
"Don Quixote," musicals like "Kiss Me, Kate" on tour
in the U.K., and interviews with dancers from Pacific Northwest Ballet
and Oregon Ballet Theatre. We also focus on dance leadership with interviews
and reports from artistic directors, managers, and the recent Rural Retreats
2005. Our February Image Gallery features some of last year's magnificent
dance pictures specially picked by our editors.
As always, we love to hear what you think. Please post your comments
in our
Magazine Feedback Discussion Topic in the CriticalDance forum. And,
if you want the magazine delivered right to your inbox, subscribe!
The
Editors of Ballet-Dance Magazine
P.S. If you're enjoying this issue of Ballet-Dance
Monthly, please forward it to a friend!
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